Painting Field Patterns in any Medium

Tutor: Jason Skill

Lunch: Price includes a hearty lunch.

Level:
All Levels

Typically for a max of 10 people.

Full Day

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Field Patterns are a key feature of landscape painting. This workshop could be the next building block in your skills development as a landscape painter! It could be the perfect follow-up both to Painting Trees and Painting Mountains. The medium for this one is not specific though – any medium can be accommodated. This workshop with Jason could be the next building block in your skills development in watercolour landscape painting…

If you can paint field patterns effectively you can make your landscape pictures stretch far into the distance. By gaining some knowledge of what works in terms of structure, shapes and mark-making you can paint extensive landscapes with greater skill and flair, whatever the medium.

Click below to view the list of what you’ll ideally need to bring with you.

Looking for the next building block with Jason? Check out Painting Rain

What to expect

Time at ArtisOn is designed to take you away from it all and provide the environment, the time and the guidance you need to create. You can expect a warm welcome, skilled and friendly tutors plus the chance to meet like-minded people keen to share ideas and experiences. You can even leave us to clear up the mess! There will usually be two workshops going on and we encourage everyone to mingle and be nosey about what the other workshop is up to.

Arrive in time to meet other participants over a cup of tea or coffee and biscuits before beginning your session at the appointed time. There will be a mid-morning break for refreshments and a chance to talk over progress with others. Lunch is usually around 12:45 for about 45 mins – you can expect a homemade 2 course lunch. The main course will be delicious but don’t overdo it as the puds are usually worth waiting for! There will be a further afternoon break with the most wonderful cakes from Roots & Fruits Home Bakery, a North Yorkshire micro-bakery producing handmade bread and cakes. All food and refreshments are included in the price of the workshop.

Finish time is given as a target – there are occasions when the session may overrun so do let us know if you need to be away promptly.

We aim for your day to be a real treat… of course you could always learn a new skill in a shed or a draughty village hall with a curly sandwich, but we want you to have more fun than that! So we make it a day being looked after, with good food, good company and great inspiration!

What you’ll need to bring with you

This course can be undertaken in any of the following mediums - watercolour, gouache and acrylic. Please select only one medium to work with on the day.
Please use the following list as a prompt to help you put your kit together for the day. Please do not feel this is a fixed list of materials that you must purchase. If you already have watercolour, gouache or acrylic painting equipment then it's likely to be adequate for the day.

The follow list is for watercolour - please adapt for other mediums....

Drawing Equipment
A soft graphite pencil eg2b
A pencil sharpener
An erasure

Accessories
Masking tape
Several sheets of kitchen roll
A kitchen cloth - the blue type you clean your work benches down with
Watercolour palette
Water pots

Brushes
A wash brush
Large round approximately size 12 or 14
Flat chisel edged nylon brush also about half an inch wide.
Selection of smaller brushes you may have, including a size six if possible.

Paper
Watercolour paper cut or ripped down to approximately half imperial sheets size [ A2] or quarter of a full sheet [A3]this paper can be loose or in a pad. Please bring about 10 sheets of paper
Advise not [cold pressed] surface140lb / 300gsm. This is the standard surface quality of student papers like Bockingford and Langton sold in pads.
Several sheets of cartridge paper or computer printing paper . These will be used to practise brush strokes and sketch out tree shapes.

Colours
These are the colours that Jason includes in his own palette but they can be adapted.
Cobalt Blue
Lemon Yellow
Cadmium Red
Ultramarine Blue
Cadmium Yellow
Quinacridone Magenta / Permanent Rose (If you have an Alizarin Crimson this will work fine)
Prussian Blue
Cerulean blue
Cobalt Turquoise Light
Raw Sienna
Raw Umber
Burnt Sienna
Viridian Green
Burnt Umber
Titanium white
Chinese white

Reference Material
If you have images of rolling landscape with field patters stretching out into the distance then please bring them to the workshop.
Jason has images of distant field patterns that can be used in the workshop.

“It was excellent, I’m just starting to paint and Jason answered all my questions and puzzles.”

– Peter

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